INTEGRASI LIVE FOOTAGE DAN VISUAL EFFECT MELALUI TEKNIK COMPOSITING DALAM PRODUKSI VIDEO KAMPANYE KESEHATAN MENTAL
| dc.contributor.advisor | Kanistren, Aragani Timur | |
| dc.contributor.author | Angguri, Muhammad Zio Willy | |
| dc.contributor.author | Kanistren, Aragani Timur | |
| dc.date.accessioned | 2026-01-22T03:39:40Z | |
| dc.date.issued | 2025-07-31 | |
| dc.description | Perancangan kampanye kesehatan mental dalam rumah tangga merupakan hasil kolaborasi antara mahasiswa Animasi Politeknik Negeri Batam dan salah satu studio kreatif di Kota Batam, yaitu SOK Branding Studio. Kampanye ini diciptakan sebagai upaya preventif untuk meningkatkan kesadaran masyarakat serta mencegah permasalahan kesehatan mental di lingkungan sosial. | |
| dc.description.abstract | The integration of live footage and visual effects in addressing mental health issues represents a form of visual innovation in digital information media. The application of 3D emoji–based visual effects is utilized to represent emotional expressions and visual characteristics, serving as a form of visual dramatization as well as nonverbal communication. Furthermore, the integration of live footage is supported by the implementation of camera tracking techniques, which function as a reference for synchronizing camera movements with visual effect elements. The narrative conceptual design of this mental health campaign video employs the AIDA method (Attention, Interest, Desire, Action) to achieve optimal and conceptually relevant visual storytelling. The production process of the campaign video is conducted using the MDLC method as a framework for visual design. In addition, the testing phase is carried out through a descriptive qualitative approach involving expert respondents to validate that the applied concepts and techniques successfully produce a preventive campaign video that effectively raises public awareness of the importance of mental health. | |
| dc.description.sponsorship | - | |
| dc.identifier.citation | DAFTAR PUSTAKA [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] A. Aristama, P. Harkina, and O. Reni Setiawati, “PENGARUH RASA SYUKUR DAN KECEMASAN DENGAN STRES PADA IBU RUMAH TANGGA,” Jurnal Psikologi Malahayati, vol. 6, no. 1, pp. 69–76, 2024, [Online]. Available: https://http://ejurnalmalahayati.ac.id/index.php/PSIKOLOGI/index A. Haningtyas, “‘Harmonizing Visuals: The Synergy of Compositing and Colour Grading in Film Production’ Harmonisasi Visual: Sinergi Compositing dan Color Grading dalam Film,” 2023. doi: https://doi.org/10.56849/rz0qg727. S. R. Adi, Y. F. Wulandari, and S. Himawan, “Analisis Visual Efek Khusus Dalam Film Fantasi: Studi Kasus Pada Film Spider-Man: No Way Home,” Jurnal Ilmu Komunikasi, vol. 3, no. 4, 2024. G. Salsabila, B. S. R. Aisy, R. R. Salsabila, W. U. Febriani, L. N. Hafisah, and M. A. Shadiqi, “Efek Penggunaan Emoji pada Kefasihan Pemrosesan dalam Bersosial Media: Studi Eksperimental,” Gadjah Mada Journal of Psychology (GamaJoP), vol. 9, no. 2, p. 248, Oct. 2023, doi: 10.22146/gamajop.80327. I. K. I. Agustina, D. P. Y. Antari, and I. M. D. C. Putra, “PENERAPAN TEKNIK COMPUTER GENERATED IMAGERY (CGI) SEBAGAI PEMBANGUN CERITA PADA MUSIC VIDEO TINKERBELLE BALI,” 2024, [Online]. Available: https://jurnal2.isi.dps.ac.id/index.php/calaccitra S. Wright, Compositing Visual Effect Essentials for Aspiring Artist , 2nd ed. Routledge (bagian dari Taylor & Francis Group), 2011. Savina Rachma Oktaviandry and Virginia Suryani Setiadi, “IDENTIFIKASI SKEMA WARNA PADA COLOR GRADING SEBAGAI PEMBANGUN MOOD DALAM FILM ANIMASI PIXAR ‘COCO,’” Jurnal Dimensi DKV: Seni Rupa dan Desain, vol. 8, no. 2, pp. 151–166, Oct. 2023, doi: 10.25105/jdd.v8i2.18394. R. Latief and Utud. Yusiatie, Kreatif Film Iklan Layanan Masyarakat Era Digital, 1st ed. Jakarta: Kencana (divisi dari Prenada Media), 2023. Y. H. K. Admaja and A. Sonita, “Multimedia development life cycle method for script making in the film kultur,” Borobudur Informatics Review, vol. 2, no. 1, pp. 36–46, Aug. 2022, doi: 10.31603/binr.6139. A. M. H. Setiawan, “CHARACTER AND ENVIRONMENT DESIGN FOR ANIMATED SERIES PILOT PROJECT ‘IMAJINAVIS,’” 2020. D. R. Reid and B. Sanders, Documentary making for digital humanities. Open Book Publishers, 2021. doi: 10.11647/OBP.0255. M. B. Miles and A. M. Huberman, Qualitative Data Analyst, 2nd ed. Thousand Oaks, California: SAGE Publications, Inc, 1994. | |
| dc.identifier.issn | 2548-6853 | |
| dc.identifier.kodeprodi | 223122005#Animasi | |
| dc.identifier.nidn | NIDN8961460022 | |
| dc.identifier.nim | NIM4322101046 | |
| dc.identifier.uri | https://repository.polibatam.ac.id//handle/PL29/4486 | |
| dc.language.iso | other | |
| dc.publisher | Journal Of Applied Multimedia And Networking | |
| dc.relation.ispartofseries | 9; 1 | |
| dc.subject | Compositing | |
| dc.subject | Visual Effect | |
| dc.subject | Live Footage | |
| dc.subject | Tracking Camera | |
| dc.subject | MDLC | |
| dc.subject | AIDA | |
| dc.title | INTEGRASI LIVE FOOTAGE DAN VISUAL EFFECT MELALUI TEKNIK COMPOSITING DALAM PRODUKSI VIDEO KAMPANYE KESEHATAN MENTAL | |
| dc.title.alternative | INTEGRATION OF LIVE FOOTAGE AND VISUAL EFFECTS THROUGH COMPOSITING TECHNIQUES IN MENTAL HEALTH CAMPAIGN VIDEO PRODUCTION | |
| dc.type | Article |
Files
Original bundle
1 - 3 of 3
Loading...
- Name:
- Halaman Pengesahan.pdf
- Size:
- 158.8 KB
- Format:
- Adobe Portable Document Format
Loading...
- Name:
- Borang Pulikasi Repository.pdf
- Size:
- 473.37 KB
- Format:
- Adobe Portable Document Format
License bundle
1 - 1 of 1
Loading...
- Name:
- license.txt
- Size:
- 1.71 KB
- Format:
- Item-specific license agreed upon to submission
- Description:
